#1326: Teen Prayer by The Velveteens
Peak Month: August 1961
8 weeks on Vancouver’s CFUN chart
Peak Position #12
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “Teen Prayer”
“Teen Prayer” was a big local hit for a girls doo-wop group from Springfield, Massachusetts, called the Velveteens. In May 1961 it was #1 for three weeks in Springfield, Massachusetts, on WHYN and one week on WSPR (also in Springfield).
Vocal group from Agawam, Massachusetts, The Teensters (Judy Schinelli, Maureen Grady, Nancy Roy and Judy Roy) sang in their Junior High school choir. Agawam was a suburb of Springfield. After Judy Schinelli left the group, the name was changed to “The Velveteens”. The Velveteens’ first recording was called “Please Holy Father” on Chuck Lidell’s label Stark Records. The lead singer was Maureen Grady. Backing the girls was a local group called Monty & the Specialties. After the first recording, Judy Roy left the group and was replaced by Sandy Vigneault of West Springfield.
Lidell made the decision of re-recorded “Please Holy Father” as “Teen Prayer”. This was released in early 1961 with the B side “Baby-Baby”. In May of 1961 the record was on the top of charts in western Massachusetts. The “Good Guys” at CFUN played the song and it peaked at #12 on August 19, 1961. That was when CFUN was on location at the Pacific National Exhibition (P.N.E.). The CFUN record survey that week was billed as “The Swingin’ Sound of the Fairground ~ the Fun-tastic Fifty at the Fair!”
Holy Father up above please protect the boy I love
Keep him safe and keep him sound no matter when or where he’s found
Help him to know and help him to see just what his love means to me
Please, Holy Father please.
Holy Father up above please protect the boy I love
He’s so gentle he’s so sweet, he’s what makes my life complete
I’d be with him the whole life through, pray that he will love me too
Please, Holy Father please.
Thank you Father in heaven above for sending me this boy to love
You picked him out from all the rest because you knew I’d love him best
I’ll be faithful in every way and love him more every day
Holy Father up above please protect the boy I love
Keep him strong and keep him pure for he’s the one I love I’m sure
This is the wish I beg of you, make my world of dreams come true.
Please, Holy Father please.
“Teen Prayer” peaked at #1 in Springfield (MA), #2 on Cleveland’s WHK, #4 in Boston, and Seattle, #8 in Sacramento (CA), and San Francisco, #11 in Worcester (MA), #12 in Vancouver, #13 in Wilkes-Barre (PA), and #20 in Troy (NY).
The follow-up recording was “I Thank You”/”Meant To Be”, on Stark Records. It was later re-released in 1962 on Laurie Records. In this time Sandy Vigneault, Maureen Grady and Nancy Roy each got engaged to be married. After of backing a doo-wop group called Davi, on the Stark label, providing shouts and squeals on “Go Charley Go” the Velveteens broke up.
Judy Roy joined Sandy Vigneault along with several other female back-up singers to form Sandy & The Invictas. Later on Sandy Vigneault (now Saundra Bryant) took up local theater, and was a member of the Encore Players Theater Group of Springfield. She also worked at the Hu Ke Lau restaurant in Chicopee, just north of Springfield for nearly 20 years, and later at a doctors office. She died in 2011 in Agawam.
In 1962 in Vancouver all public schools began the day in each home room class with the Lord’s Prayer and a Bible reading. It was in 1944, the government of British Columbia amended the Public Schools Act to provide for compulsory Bible reading at the opening of the school day, to be followed by a compulsory recitation of the Lord’s Prayer. This amendment appeared as section 167 of the Public Schools Act, and read as follows:
167. All public schools shall be opened by the reading, without explanation or comment, of a passage of Scripture to be selected from readings prescribed or approved by the Council of Public Instruction. The reading of the passage of Scripture shall be followed by the recitation of the Lord’s Prayer, but otherwise the schools shall be conducted on strictly secular and non-sectarian principles. The highest morality shall be inculcated, but no religious dogma or creed shall be taught. 1948, c.42, s.167
In 1962 the overlay of the practice of a Bible reading and the Lord’s Prayer found resonance in religious themes and references in popular music. In 1957 Bobby Helms had a hit record called “My Special Angel.” The singer believes that the woman in his life has been sent by “The Lord,” and that she is his special angel in this lifetime to “watch over me.”
The Platters had the #4 hit of 1956 with “My Prayer.” It also evoked prayer as the essence of a lover’s cry for eternal love: “My prayer and the answer you give/May they still be the same for as long as we live/That you’ll always be there at the end of my prayer.”
Gale Storm had a hit in 1956 that peaked at #5 on the Billboard pop chart called “A Teenage Prayer.” The singer describes how this one boy she’s met is her answer to a prayer. In April 1958 English recording artist, Laurie London, had a #1 hit with a traditional spiritual called “He’s Got The Whole World In His Hands”. In 1959 the folk group The Browns and a #1 hit called “The Three Bells.” Each verse gave a snapshot of a part of Jimmy Brown’s life from birth to death. The original words from the French song Les Trois Cloches was a hit for Edith Piaf. The English version described a villages in a valley in a pine forrest. A baby boy, Jimmy Brown, goes through his cycles of life: childhood, marriage and death. On each significant marker in his life’s journey, the bells of the church steeple ring out.
Wink Martindale offered his spoken word “Deck Of Cards” where a soldier doesn’t have a Bible with him when he attends the worship service. Reprimanded by his commanding officer for bringing a deck of cards, the soldier explains how the cards serve as a framework for remembering important things about his faith. Some of the words included: “You see Sir, when I look at the Ace, it reminds me that there is but one God. And the Deuce reminds me that the Bible is divided into two parts…
And Andy Williams recorded “The Village of St. Bernadette”, a hit in the winter of 1959-60. The song concerned the pilgrimage to Lourdes, France, and the spiritual encounter many pilgrims experience. In 1961 Ferlin Husky was singing about God’s relationship with humans in “Wings Of A Dove,” drawing heavily on Biblical stories and images.
There were also many songs about being a teenager. Dion and The Belmonts asked why must I be “A Teenager In Love” and about being a “Lonely Teenager”. Mark Dinning sang about a “Teen Angel”.
With daily Bible readings and the Lord’s Prayer read at schools across British Columbia, and the precedent of other songs drawing on religious metaphors and images that had climbed the pop charts over the past five years, a song like “Teen Prayer” by the Velveteens could, in 1961, find a receptive audience.
November 7, 2016
Ray McGinnis
References:
The Velveteens, White Doo-Wop Collector
Obituaries today: Saundra Bryant was singer with The Velveteens, Masslive.com, May 8, 2011
The Velveteens, Doo-Wop Blog.com
Gale Storm, “A Teenage Prayer” 1956
Bobby Helms, “My Special Angel,” 1957
Laurie London, “He’s Got The Whole World In His Hands,” 1958
Wink Martindale, “Deck Of Cards,” 1959
The Browns, “The Three Bells,” 1959.
“Fun-tastic fifty at the fair!,” CFUn 1410 AM, Vancouver, BC, August 19, 1961.
For more song reviews visit the Countdown.
I’ve noticed that God was fairly often mentioned in songs during the 50’s & even 60’s, but sadly not the case in today’s world.
In 1971 a Canadian Quartet, Ocean, Had a Hit with “Put Your Hand In the Hand”.
Hi my name is Frankie Hill, and I wrote Reason For Love with Dave Svetinko, who was one of my best friends. The Spydels did the backing vocals, and I sang the falsetto parts. We were on MZ Records out of Middletown, CT. “Go Charlie Go” was recorded at Ace Recording Studios out of Boston MA. As well as Reason For Love, the girls did not sing or “shout” on “Go Charlie Go”. The Spydels did all the vocals and I, and Richie Alexander of the Spydels, played the music on both sides. This was along with Roland “Smitty” Smith on drums, Noel Reed on guitar, Larry Usifer on piano, Dick Milikien on sax, Richie Alexander on bass, and I was conducting. I wrote the arrangement.
My dad, Chuck Liddell wrote Teen Prayer and other songs on the Stark label. I remember going with him to some of the recordings. Today, it was so cool listening for the very first time on an actual radio station my dad’s song, Teen Prayer!
Hello my name is FRANKIE HILL and I co-wrote “The Reason For Love”. “Go Charlie Go” was the B-side. I apologize for the past comment that the Velveteens didn’t do shouts on “Go Charlie Go”. They put the shouts on about a month or so after the song was recorded at Ace Studio in Boston. The shouts were added on, I believe, at Flem D’Angelis’ studio on Colton Avenue, West Springfield. Monty and the Specialties was the backing band on the original recording which was at Flem D’Angelis’ studio. I hadn’t heard “Go Charlie” Go” in over 40 years and I forgot Chuck added the shouts a month after we recorded the master. FRANKIE HILL