#1105: Hats Off (To a Stranger) by Lighthouse

Peak Month: May 1971
6 weeks on Vancouver’s CKLG chart
Peak Position #12
Peak Position on Billboard Hot 100 ~ did not chart

The Paupers were a garage band from Toronto active from 1965 to 1968. Their drummer was Skip Prokop. They performed as opening acts for American recording artists like Wilson Pickett and the Lovin’ Spoonful who were visiting Toronto. Then the Paupers played as an opening act for the Jefferson Airplane at Cafe Au Go Go in New York City from February 21 to March 5, 1967. This was three weeks after Jefferson Airplane released their album Surrealistic Pillow, and a month prior to their single release of “Somebody to Love”. The Paupers were the second act performing on the opening night of the Monterey International Pop Festival in Monterey, California, on June 16, 1967, following the opening set by The Association. The Paupers also had a few singles that were hits on Toronto’s CHUM AM including “Simple Deeds”. In 1968 Skip Prokop left the band and by the following year co-founded Lighthouse.

After Prokop left the Paupers he became a renowned studio musician, recording with Janis Joplin, Carlos Santana, Peter, Paul & Mary, Mike Bloomfield and Ian & Sylvia among many others.

Skip Prokop had met a fellow passenger on a flight from New York City to Toronto named Paul Hoffert who, like Prokop, was 25 years old at the time. Hoffert was in New York working on his off-Broadway musical “Get Thee to Canterbury”. Prokop told Hoffert of his vision to form a rock orchestra comprised of three quartets – jazz horns, classical strings, and a rock rhythm section. Hoffert told him, “If you’re gonna do it, and you’re gonna do it in Toronto, call me.” Prokop did exactly that. They asked several people they knew, including a number of members of the Toronto Symphony Orchestra to join their new band. Ritchie Havens recommended they take a demo to MGM and by May 1969 the group was ready for their first performance. Lighthouse made its debut on May 14, 1969, at the Rock Pile in Toronto, introduced by Duke Ellington with the words, “I’m beginning to see the Light…house”

They played with the Toronto, Montreal, Edmonton and Philadelphia Symphonies as well as the Cincinnati Philharmonic. Based on this experience, Ralph Cole (who Prokop had asked to join the band before it was formed in 1969) recommended the Edmonton Symphony to Procol Harum’s Gary Brooker who was interested in a similar project. The resulting recording led to the biggest selling album of that British band’s career, Procol Harum Live with the Edmonton Symphony Orchestra. Another high point of this period was Lighthouse’s collaboration with the Royal Winnipeg Ballet. Ballet High, the world’s first rock ballet, debuted at Ottawa’s National Arts Centre in July of 1970. It then made its way across Canada playing to standing-room-only audiences.

The only thing they lacked was a hit single. These were the days before album rock and there was little room on the AM radio dial for eight-minute songs featuring violin and trombone solos. Despite the growing legion of fans and sold-out concerts, their first three albums Lighthouse, Suite Feeling and Peacing It All Together  had mediocre sales. They were at a crossroads and about to lose their recording contract with RCA.

Enter Bob McBride. His distinctive voice was the catalyst the band needed to enter its next phase. Jimmy Ienner, fresh from his success with Eric Carmen’s hits, signed on as producer, honing the band’s new commercial sound. Prokop took over the majority of the songwriting chores, simplifying the sound and making the songs more radio friendly. The result was the number one album One Fine Morning and a debut Top Ten single called “Hats Off (To a Stranger)”.

Hats Off (To a Stranger) by Lighthouse

“Hats Off (To a Stranger)” tells a story about someone who encounters a stranger who offers them some needed advice about a way to approach life. The singer is hangin’ down their head, perhaps caught up with the stress of modern living and worries of the world. The stranger offers  that there is a balance to walking down the road of life. On the one hand pursuing happiness and on the other being able to see what is on the road of life. This would include things in life that the road of life conjures that require that we be very careful. In addition, the stranger cautions that walking the road of life requires a pace, and the guidance he offers is to take it slow. And one more thing: nobody’s perfect.

Walkin’ down by the river hangin’ down my head
I chanced to stop for a moment a stranger beckoned and then he said:
“Walk down the road of life, a-happy as can be
But not so happy, yeah, that you can’t see
Be very careful, mm-hmm, everywhere you go
Take it very slow”

Hats off to the stranger for tellin’ me what he knows
I said, Lord, I here ya, and I’m walkin’ slow
Just a singin’ Hallelujah, Hallelujah
Let a little sunshine down on me
Make this feelin’ grow-ow-ow-ow

Walkin’ down by the river his words warmin’ up my soul
He called to me from the other side:
“There’s one more thing ya gotta know, yeah”

“Nobody’s perfect, boy, not me or you
It doesn’t matter what you say or do
But you could be singin’, yeah, a better tune
Singin’ whoa-oh-oh”

“Yeah, all the things that I have said
You’ve probably heard them all before
But the way that you’ll hear them from me
Is like you never heard them before”

Hats off to the stranger for tellin’ me what he knows
I said, Lord, I here ya and I’m walkin’ slow….

The song was a hit with its infectious melody and full sound. Lighthouse had broken into Top 40 radio, at least in Canada. The song went to #9 on the Canadian RPM singles chart and #12 on CKLG in Vancouver. However, though Skip Prokop and Bob Hoffert had good connections with numbers of recording artists in the USA and had a record deal with RCA, the band couldn’t crack the Billboard Hot 100.

For more song reviews visit the Countdown.

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