#269: Itchycoo Park by the Small Faces
Peak Month: November 1967
8 weeks on Vancouver’s CKLG chart
Peak Position #1
Peak Position on Billboard Hot 100 ~ #16
YouTube: “Itchycoo Park”
Lyrics: “Itchycoo Park”
In 1947 Steve Marriott was born in London, UK. By the age of 12 Marriott had formed several bands and writing songs influenced by Buddy Holly. In 1960 he was cast as the Artful Dodger in the new musical Oliver! at a theatre in London’s West End. In 1963-64 his band, Steve Marriott and The Moments, were a back-up band to headliners The Nashville Teens, The Animals, Georgie Fame and others at concerts in London. Marriott played guitar and was his bands’ lead vocalist. After the group disbanded in July 1964 Marriott met bass player Ronnie Lane and drummer Kenney Jones at a club when they were playing with their band, the Outcasts. They added Jimmy Winston on keyboards and began releasing singles, including Sha-la-la-la-lee,” which went to #3 in the UK in 1966. The Small Faces were part of the British mod subculture, sharp-dressed and absorbed with looks and fashion. The word faces signaled as much, and small was a reference to all of them being no taller than 5’6″.
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#1341: Lazy Sunday by the Small Faces
Peak Month: June 1968
6 weeks on Vancouver’s CKLG chart
Peak Position #15
Peak Position on Billboard Hot 100 ~ #114
YouTube.com: “Lazy Sunday”
Lyrics: “Lazy Sunday”
In 1947 Steve Marriott was born in London, UK. By the age of 12 Marriott had formed several bands and writing songs influenced by Buddy Holly. In 1960 he was cast as the Artful Dodger in the new musical Oliver! at a theatre in London’s West End. In 1963-64 his band, Steve Marriott and The Moments, were a back-up band to headliners The Nashville Teens, The Animals, Georgie Fame and others at concerts in London. Marriott played guitar and was his bands’ lead vocalist. After the group disbanded in July 1964 Marriott met bass player Ronnie Lane and drummer Kenney Jones at a club when they were playing with their band, the Outcasts. They added Jimmy Winston on keyboards and began releasing singles, including Sha-la-la-la-lee,” which went to #3 in the UK in 1966. The Small Faces were part of the British mod subculture, sharp-dressed and absorbed with looks and fashion. The word faces signaled as much, and small was a reference to all of them being no taller than 5’6″.
Continue reading →
