#1016: There Is Love by Jim Valley
Peak Month: June 1967
9 weeks on Vancouver’s CFUN chart
Peak Position #8
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “There Is Love”
Jim Valley was born in 1943 in Tacoma, Washington, and grew up in Seattle in a musical family. In the third grade, he won an art scholarship to the Frye Art Museum for young gifted students. In fourth grade Valley took up the trumpet and had dreamed about being as great as the 1940’s big band leader, Harry James. Jim Valley was in grade seven when rock ‘n roll recordings started to appear on the Top Forty. Jim listened to Bill Haley & the Comets, Little Richard, Buddy Holly, Fats Domino, Chuck Berry and others. Valley mastered a dance called The Bop and with his dance partner won several dance contests. When he was in grade nine attending Jane Addams Jr. High School in Seattle, Jim learned to play the piano. He wrote a Doo-Wop type song for one of the people in his junior choir at the school, Cassie Kenyon. He named the song Cassandra. A next door neighbor, Curt Pearson, heard the song and suggested Valley start up a band and make a recording of Casandra. Pearson knew a lad named Greg Thompson who’d just been given drum set for his birthday. Pearson also put Jim Valley in touch with a friend of his who played the saxophone and a guy who had a guitar but couldn’t play it. The band was called Vince Valley and his Chain Gang. Since there was no one who knew how to play the electric guitar, Jim Valley bought one with money from his summer job in his dad’s laundry. Soon after he became the band’s guitarist.
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#1017: Home of The Brave by Jody Miller
Peak Month: September 1965
7 weeks on Vancouver’s CFUN chart
Peak Position #4
Peak Position on Billboard Hot 100 ~ #25
YouTube.com: “Home Of The Brave”
Lyrics: “Home Of The Brave”
Myrna Joy Miller was born in Phoenix in 1941. The youngest of five girls, Miller’s family spent some of her early years in Oakland, California. Around the age of six, her older sister, Pat, would play the guitar and encourage Jody to sing. By the age of seven her parents were entering her in amateur contests around Oakland. A year later Jody was sent to Blanchard, Oklahoma, where she learned to play the piano while living with her fiddle-playing grandmother. In 1949, she heard Mario Lanza sing “La donna è mobile.” Jody Miller recalls once she heard Lanza’s song, she determined she would be a singer. Miller got her start singing in folk clubs in Oklahoma. She moved to Los Angeles and was discovered by western movie actor and fellow Oklahoman, Dale Robertson, while she was performing at the Troubador nightclub.
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#1018: It Takes Time by Anne Murray
Peak Month: June 1971
7 weeks on Vancouver’s CKLG chart
Peak Position #10
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “It Takes Time”
Lyrics: “It Takes Time”
In 1945 Morna Anne Murray was born in Springhill, Nova Scotia, a coal-mining town. Her father was a doctor and her mother was a registered nurse. Growing up she took piano lessons for six years and began taking vocal lessons at age fifteen in 1960. Anne loved music. It was the age of rock ‘n’ roll, and growing up she sang along with all her favourites – Buddy Holly, Bobby Darin and Connie Francis. However, Anne was also inspired by a wide variety of musical styles, including the classics, country, gospel, folk, and crooners such as Patti Page, Bing Crosby and Rosemary Clooney. She loved them all. In 1962 she gave one of her first public performances singing “Ave Maria” at her high school graduation. She went on to be part of the CBC variety show Singalong Jubilee in 1967. A document on display at the Anne Murray Centre in Springhill, Nova Scotia, dated May 30, 1966, informed her: “Your signature on four copies of this letter will serve to engage your services for the 1966 Singalong Jubilee series. It is understood that you will be required to function either as a singer for a fee of seventy-one dollars and fifty cents ($71.50) per show or as a soloist for a fee of ninety-nine dollars ($99.00).” Her first album, What About Me, was released in 1968. Her signature song, “Snowbird” went to #6 in Vancouver and #8 on the Billboard Hot 100. It established a following and 76 singles, 32 studio albums and 55 million record sales later, Anne Murray is one of the most awarded and honored recording artists in the Canadian music industry.
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#1019: El Toro by Link Wray
Peak Month: November 1961
7 weeks on Vancouver’s CKWX chart
Peak Position #8
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “El Toro”
Fred Lincoln “Link” Wray Jr. was born in 1929 in Dunn, North Carolina. Both his mother and father were Shawnee Native Americans. Among the instrumentals Wray recorded were three named after American Indian tribes: “Shawnee,” “Apache” and “Comanche.” When Link was eight years old he was sitting in the porch trying to play guitar. An elderly African-American guitar player named Hambone heard Link Wray trying to play the guitar. Hambone gave Link his first guitar lesson and showed him how to play the bottleneck slide guitar. Link moved with his family moved to Portsmouth, Virginia, when he was thirteen years old. His first band was in the late 40’s with his brothers, Vernon and Doug, playing Western Swing. As Link put it, “rock and roll before it was rock and roll.” Vernon “Lucky” Wray was the lead singer. This band also included Wray’s friend Brantley “Shorty” Horton, who later went on to become part of Link Wray’s backing band the Ray Men. A fourth member of Link Wray’s band in the late 40’s was Dixie Neal. The band was known by Lucky Wray and the Lazy Pine Wranglers, and later Lucky Wray and the Palomino Ranch Hands. The band became popular in Portsmouth, opening for many Country and Western recording artists who played in local fairs and made live appearances on AM radio shows.
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#1020: The Sins of a Family by P. F. Sloan
Peak Month: October 1965
7 weeks on Vancouver’s CFUN chart
Peak Position #4
Peak Position on Billboard Hot 100 ~ #87
YouTube.com: “The Sins Of The Family”
Lyrics: “The Sins Of A Family”
Philip Gary Schlein was born in New York City in 1945. His mom was born in Romania and his dad in the USA. The family moved to West Hollywood when Philip was twelve years old. His father was a pharmacist and had the family name changed legally since Philip’s dad was repeatedly denied a liquor license for his store. The new surname, Sloan, gave Philip’s dad no hassles and the family business thrived. In 1958 Philip was given a guitar as a present. Prior to being drafted into the US Army, Elvis Presley gave Philip Sloan a quick guitar lesson at a music store in Hollywood. By the age of 14 Philip Sloan’s nickname was “Flip,” a variant of Philip. So he became P (Philip) F (Flip) Sloan. At 16, “Flip” Sloan got a position as a songwriter with Screen Gems in Los Angeles. In addition to songwriting, Sloan teamed up with Steve Barri. The pair recorded several records hoping for a hit single. They failed at getting any notice when releasing singles under the names The Lifeguards, Themes Inc., The Rally-Packs and The Wildcats. And they barely registered on the charts in 1964 as Philip and Stephan with “When You’re Near You’re So Far Away”, or as The Street Cleaners with “That’s Cool, That’s Trash”.
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#1022: What’s That Got To Do With Me by Jim & Jean
Peak Month: April 1967
9 weeks on Vancouver’s CFUN chart
Peak Position #11
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “What’s That Got To Do With Me”
Jim & Jean were a folk duo composed of Jim Glover, a native of Cleveland, Ohio, born in 1942, and New Yorker, Jean Ray, who was born in 1941. This folk duo appeared in folk clubs, TV shows and folk festivals between 1961 to 1969. They got married in 1963, and were listed as Jim and Jean Glover on the liner notes of their albums. Glover was a student at Ohio State University. While he was there he met Phil Ochs, in the fall of 1959. It was Glover who acquainted Ochs to folk music, Left-wing politics, and showed him how to become a guitar player. For a brief time Glover and Ochs became a folk duo on the campus and billed themselves as The Singing Socialists. The name resonated with the duo as Jim Glover came from a multi-generational family connected to the Communist Party USA. Glover’s father was a longtime friend of Gus Hall, the leader and chairmen of the CPUSA who ran for president in the US federal elections of 1972, 1976, 1980 and 1984. Phil Ochs was very supportive of the Cuban Revolution in 1959 and had high hopes for its nation under the leadership of Fidel Castro. The Singing Socialists didn’t last as an act. Glover left Ohio State University to pursue folk music in Greenwich Village in Manhattan in 1961.
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#1023: The Pushbike Song by The Mixtures
Peak Month: April 1971
8 weeks on Vancouver’s CKVN chart
Peak Position #8
Peak Position on Billboard Hot 100 ~ #44
YouTube.com: “The Pushbike Song”
Lyrics: “The Pushbike Song”
Australian musicians Terry Dean and Rod De Clerk met in Tasmania in 1965. They then met Laurie Arthur, a member of The Strangers, and the three decided to form a band together after a jam session. They quickly signed to EMI that same year and released three singles, including “Music, Music, Music“, a cover of the old Teresa Brewer hit from 1950. They went through several line-up changes over the following few years, then signed to CBS Records in 1969. Among those to join the band were the brothers Idris and Evan Jones who had been with the Gingerbread Men, an Australian pop group who had a Top 20 cover of “Let The Little Girl Dance” in 1965.
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#1025: Lil’ Ole Me by Cornbread And Jerry
Peak Month: June 1961
8 weeks on Vancouver’s CKWX chart
Peak Position #9
Peak Position on Billboard Hot 100 ~ did not chart
Peak Position on Cashbox ~ #138
YouTube.com: “Lil’ Ole Me”
William Everett “Bill” Justis Jr. (pictured in photo to the left) was born in Birmingham, Alabama in 1926. He was a pioneer rock n’ roll musician, composer, and musical arranger, best known for his 1957 Grammy Hall of Fame song, “Raunchy“. Justis grew up in Memphis, Tennessee, and studied music at Tulane University in New Orleans. Fine-tuning his trumpet and saxophone skills, he was featured in concert with local jazz and dance bands. In 1954, Justis went back to Memphis and hired by Sam Philips at Sun Records. While in the employ of Sun Records, Bill Justis made his own recordings. In addition he was a musical arranger Sun recordings by Jerry Lee Lewis, Roy Orbison and Johnny Cash.
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#1026: Didn’t Want To Have To Do It by The Lovin’ Spoonful
Peak Month: June 1966
7 weeks on Vancouver’s CFUN chart
Peak Position #6
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “Didn’t Want To Have To Do It”
Lyrics: “Didn’t Want To Have To Do It”
Bass player Steve Boone (born on Long Island) and drummer Joe Butler (born on Long Island in 1941) had been playing in a band called The Kingsmen based on Long Island in the early 1960’s. By 1964 their band (not to be confused with the Kingsmen from Washington State who had a hit with “Louie Louie”) were one of the top rock and roll bands on Long Island. Their live sets included folk songs put to a rock beat, pop standards and some new hits showcasing the British Invasion. Steve’s brother, Skip Boone, and several three other bandmates filled out the group. In 1964 Joe and Skip chose to relocate to Manhattan. They focused on writing original material and blending a rock bass and drums with their jug band sound. Three other bandmates chose not to move, except Steve Boone, who joined Joe and Skip in New York City’s Greenwich Village, the nexus of the folk music scene.
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#1027: Sometimes Good Guys Don’t Wear White by The Standells
Peak Month: September 1966
7 weeks on Vancouver’s CFUN chart
Peak Position #7
Peak Position on Billboard Hot 100 ~ #43
Lyrics: “Sometimes Good Guys Don’t Wear White”
“Best known for their hit ‘Dirty Water,’ The Standells released a string of snotty, aggressive garage singles in the mid to late 1960s which are now rightly regarded as proto-punk classics. ‘Sometimes Good Guys Don’t Wear White,’ ‘Why Pick On Me,’ ‘Riot On Sunset Strip’ ~ the songs of The Standells have been covered by everyone from Bruce Springsteen, Aerosmith and U2 to Spacemen 3, Minor Threat and a million punk bands as well as many subsequent scene bands. ”
– Pat Long
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