#1201: Can I Get to Know You Better by The Turtles
Peak Month: November 1966
6 weeks on CKLG chart
Peak Position #5
Peak Position on Billboard Hot 100 ~ #89
YouTube.com: “Can I Get To Know You Better”
Lyrics: “Can I Get To Know You Better”
In 1947 two of the founding members of The Turtles were born. Howard Kaplan spent his first eight years in the Bronx and Manhattan. Then his dad got a job in Utica, in upstate New York, with General Electric. Several years later he moved with his family to the Los Angeles community of Westchester, just to the south of Santa Monica. Mark Volman was born in Redondo Beach and his family later also moved to Westchester. At Westchester High School both boys were in the Westchester High A Capella Choir. Mark was a first tenor and Howard was a second tenor. Kaplan and Volman’s first band, the Crossfires, played instrumental music, but the arrival of the Beatles in 1964 encouraged a change of focus. Howard’s vocal abilities made him a clear choice to be the frontman when the Crossfires evolved into the Turtles. In ’65 Kaplan changed his surname to Kaylan. Other high school friends, Al Nichol, Don Murray and Jim Tucker were among the original Crossfires bandmates who made the transition to The Turtles. After several changes bass player Chip Douglas was in the Turtles’ line-up by the spring of 1966.
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#1208: I Was Made To Love Her by King Curtis & the Kingpins
Peak Month: February 1968
6 weeks on Vancouver’s CKLG chart
Peak Position #10
Peak Position on Billboard Hot 100 ~ #76
YouTube.com: “I Was Made To Love Her” ~ King Curtis
YouTube.com: “I Was Made To Love Her” ~ Stevie Wonder
Lyrics: “I Was Made To Love Her”
Born Curtis Ousley in Fort Worth, Texas, in 1934. His trademark was a honking Texas tenor sound inspired by his main influences Illinois Jacquet, Earl Bostic, Arnett Cobb albeit with a rock and roll edge. He moved to New York in 1952 and played with Lionel Hampton’s and Horace Silver’s jazz groups. He began doing session work for R&B and rock and roll artists in the mid-Fifties. One of his most memorable solos, and the one that sealed his reputation as a rock and roll sideman, appeared in the Coasters’ 1958 smash, “Yakety Yak”.
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#1215: I Dig Girls by J.J. Jackson
Peak Month: February 1967
7 weeks on Vancouver’s CKLG chart
Peak Position #7
Peak Position on Billboard Hot 100 ~ #83
YouTube.com: “I Dig Girls”
Lyrics: “I Dig Girls”
In 1941, J.J. Jackson was born in the Bronx, New York. In 1957 he had his first song recorded by Billy Williams called “The Lord Will Understand (And Say Well Done)” as one of three tracks on an Extended Play supporting Williams hit single “I’m Gonna Sit Right Down and Write Myself A Letter“. Jackson wrote songs recorded by the Flamingos, the Shangri-las – the B-side to “Remember (Walking In The Sand)”, Barbara Lewis and Eddie Floyd, In 1966, Jackson wrote a hit single in the UK for the British group in the Pretty Things called “Come See Me“.
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#1222: Not So Sweet Martha Lorraine by Country Joe & The Fish
Peak Month: August 1967
5 weeks on Vancouver’s CFUN chart
Peak Position #5
Peak Position on Billboard Hot 100 ~ #98
YouTube.com: “Not So Sweet Martha Lorraine”
Lyrics: “Not So Sweet Martha Lorraine”
In 1942 Joseph Allan McDonald was born in Washington, D. C. He was raised in the Los Angeles, California, suburb of El Monte. His parents, Florence and Worden, were members of the United States Communist Party and began to have difficulties with the authorities during the McCarthy years. In his home Joe was raised as what was termed at the time as a “red diaper baby.” The El Monte Legion Stadium was on the circuit for music groups of the era and Joe went to hear most of them. In the fall of 1965, Country Joe and the Fish was the creative fusion of a political device, necessity and entertainment.
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#1395: A Sunday Kind of Love by Jan and Dean
Peak Month December 1961
6 weeks on Vancouver’s CKWX chart
Peak Position #11
Peak Position on Billboard Hot 100 ~ #95
Youtube.com: “A Sunday Kind Of Love”
Lyrics: “A Sunday Kind Of Love”
Jan and Dean were a pop duo who formed in 1958. They met in 1957 while they were students at Emerson Junior High School in Los Angeles. A year later they were on the football team of University High School. They had adjoining lockers and began singing and harmonizing in the showers with a number of other football players. Dean Torrence was drafted into the US Army Reserve in 1958. Jan Berry went on to record his first single with Arnold P. “Arnie” Ginsburg under the name Jan & Arnie. (Ginsburg happened to have a namesake, Arnie “woo woo” Ginsburg, who was a career DJ in Boston including on WMEX). The hit, “Jennie Lee”, was penned by Ginsburg and inspired by a poster of a local Hollywood burlesque performer. Jan and Arnie performed on American Bandstand in May and the tune went to #8 on the Billboard charts. When Dean Torrence returned Jan & Dean recorded their first Top Ten hit, “Baby Talk”, peaking at #10 in 1959 (#20 on CKWX in Vancouver).
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#1226: A Kookie Little Paradise by Jo Ann Campbell
Peak Month: September 1960
7 weeks on Vancouver’s CKWX chart
Peak Position ~ #12
Peak Position on Billboard Hot 100 ~ #61
YouTube.com: “A Kookie Little Paradise”
Lyrics: “A Kookie Little Paradise”
In 1938 Jo Ann Campbell was born in Jacksonville, Florida. When she was just four years old she was enrolled in music school. She also had a flare for choreography winning successive honors at her high school as a drum majorette. She flew to Europe in 1954 as part of a dance troupe. Afterward, she based herself in Manhattan having a successful audition with the Johnny Conrad Dancers. In that capacity she appeared on The Milton Berle Show and The Colgate Comedy Hour. She was encouraged to give attention to her vocal talents and in 1956 she recorded her debut release with RKO-Point Records in New York called “Where Ever You Go” with the Johnny Conrad Dancers. It was unsuccessful. In search of a hit she moved on to sign with Eldorado Records after her performance at the Apollo Theater in Harlem got favorable reviews. Again there were no hits resulting from several single releases. Next she signed with Gone Records and in December 1957 her single, “Wait A Minute,” spent six weeks on the CHUM chart in Toronto. Campbell also appeared at the Brooklyn Paramount Theater and on American Bandstand.
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#1236: Hop Scotch by Santo and Johnny
Peak Month: April 1961
7 weeks on Vancouver’s CFUN chart
1 week C-FUN Twin Pick Hit
Peak Position #10 on CKWX/#11 on CFUN
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “Hop Scotch”
The Farina brothers, Santo & Johnny, were born in Brooklyn, New York. Santo, October 24, 1937 and Johnny, April 30, 1941. As a boy Santo Farina listened frequently to the Hometown Frolics, a country radio show. Through that association he came to love the sound of the steel guitar by the time he was teen. Santo convinced a neighborhood music store to modify and acoustic guitar to allow him to play it like a steel. Santo was mesmerized with the sounds he could produce on his new guitar and practiced day and night. Within two years, he was performing for amateur shows on a new Gibson six-string steel guitar. Soon after, he acquired a steel guitar teacher who had learned the art in Hawaii.
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#1238: Mod Socks by The Grasshoppers
Peak Month: April 1965
8 weeks on Vancouver’s CFUN chart
Peak Position #11
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “Mod Socks”
“Mod Socks” lyrics
According to AllMusic.com music critic, Jason Ankeny, The Grasshoppers were a rock ‘n roll band from Cleveland who formed in 1962. There were several lineup changes and Benjamin Orzechowski joined the band in 1964 and became the lead singer. Ben Orr, who was born in 1947, went on to be a lead singer in the New Wave band, The Cars. Jeff Niesel, of Rolling Stone Magazine writes that members of the Grasshoppers Fan Club included Diane Akins, the president of the club. She remembers meeting Ben Orr when the Grasshoppers were an opening act when the Beach Boys performed in Cleveland in November, 1964. Orzechowski was given the nickname at the time “11 letters” cause his surname was so long. Though AllMusic fails to mention him, I received a comment from Robin Marie Ouellette, the daughter of Louis Pratile. She confirmed that her dad was a member of the Grasshoppers. Dante Rossi and John Matuska were also prominent members of the band.
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#1242: In the Mood by The Hawk
Peak Month: October 1960
7 weeks on Vancouver’s CFUN chart
Peak Position #10
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “In The Mood”
In 1935 Jerry Lee Lewis was born in Ferriday, Louisiana. At the age of nine he started playing the piano. He imitated the styles of preachers and black musicians that passed through his community. His playing style was creative and outrageous. Jerry Lee Lewis rose to become one of rock ‘n rolls’ first showman in the mid-50s. He incorporated some of what he heard into his musical style from listening to radio shows like the Grand Ole Opry and Louisiana Hayride. Among his influences were Jimmie Rodgers, Hank Williams and Al Jolson. At the age of ten his dad decided to mortgage the family farm so he could purchase a piano for Jerry Lee to play. Lewis first performed in public when he was fourteen years old at the opening of a local car dealership. At age fourteen he quit school and honed his musical skills. But before he became a famous recording act, Lewis sold sewing machines to help make some money.
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#1243: Love is Just a Four Letter Word by Joan Baez
Peak Month: May 1969
6 weeks on Vancouver’s CKLG chart
Peak Position #9
Peak Position on Billboard Hot 100 #86
YouTube.com: “Love Is Just A Four-Letter Word”
Lyrics: “Love Is Just A Four-Letter Word”
Joan Baez was born on Staten Island, New York, in 1941. Her mother was from Edinburgh, Scotland, and her father from Puebla, Mexico. Joan remembers racial slurs thrown at her due to her Mexican heritage. Her younger sister, Mimi Farina, was also became a folk singer and recording artist. Joan Baez was 17 years old in 1958 when she began her studies at the Boston University School of Drama. She was part of a group of peers who had a passion for both folk music and human rights. She began to perfect her adaptations of traditional folk songs showcasing the challenges of the human condition. These include lyrics concerning underdogs in a struggle, race relations, poverty, war and its folly, romantic betrayal, unrequited love and spiritual breakthroughs. She appeared on the folk music scene in 1959 at Club 47 in Cambridge, Massachusetts. That same year she performed at the first Newport Folk Festival in Newport, Rhode Island.
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