#1156: A Thousand Feet Below by Terry Tyler

Peak Month: November 1961
7 weeks on Vancouver’s CFUN chart
Peak Position #14
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com link: “A Thousand Feet Below

Terry Tyler was a rockabilly singer born in Tennessee. He recorded “A Thousand Feet Below” for a small label in Philadelphia named Landa. This was a record company that mostly recorded R&B records. Landa had only one Top 40 hit among the 38 singles they released. Twenty-six of the record label’s releases occurred in 1961-62. The one hit record Landa recorded was “Get Out (And Let Me Cry)” by Harold Melvin and the Bluenotes in 1965. “Get Out” peaked at #38 on the Billboard Hot 100.
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Give It To Me by The Troggs

#1142: Give It To Me by The Troggs

Peak Month: March 1967
6 weeks on Vancouver’s CKLG chart
Peak Position #11
Peak Position on Billboard Hot 100 ~ did not chart
Peak Position on Record World ~ #128

The Troggs formed in 1964 and decades later were dubbed by music critics as the “first British punk band.” Never strangers to controversy, many of their records were considered by radio programmers and social conservatives as too suggestive for the masses, and they consequently banned them. The band’s first big hit was “Wild Thing” which is rated by Rolling Stone Magazine as one of the Top 500 songs in the rock ‘n roll era. While they racked up their biggest string of Top Ten singles between 1966 and 1968, the band consisted of co-founders Reg Presley and Ronnie Bond, as well as Pete Staples and Chris Britton.

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Monday Morning Choo Choo by The Stampeders

#1141: Monday Morning Choo Choo by The Stampeders

Peak Month: March 1972
7 weeks on CKLG chart
Peak Position #15
Peak Position on Billboard Hot 100 ~ did not chart
Peak Position on Record World ~ #107

The Stampeders are a rock trio from Calgary named after that city’s football team, The Calgary Stampeders. Although, it could be argued that the yearly Calgary Stampede was also an inspiration for their name. During the band’s most successful chart run from 1968 to 1976, it was made up of guitarist Rich Dodson, bass player Ronnie King (born Cornelius Van Sprang) and drummer Kim Berly (born Kim Meyer). All three provided vocals. Originally, the band was a group of five formed in 1964 called The Rebounds. The Rebounds had five members: Rich Dodson, Len Roemer, Brendan Lyttle, Kim Berly, and Race Holiday. They renamed themselves The Stampeders in 1965 and Len Roemer was replaced with Ronnie King and Van Louis, making them a band of six for a few years. But after a temporary move to Toronto in 1966 the band was down to three members, Dodson, King and Berly by 1968. Between 1967 and 1976 The Stampeders charted 15 singles into the Canadian RPM Top 40.

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You Are What I Am by Gordon Lightfoot

#1203: You Are What I Am by Gordon Lightfoot

Peak Month: January 1973
6 weeks on CKLG chart
Peak Position #18
Peak Position on Billboard Hot 100 ~ #102

Gordon Lightfoot was born in Orillia, Ontario, on November 17, 1938. His parents, Jessica and Gordon Lightfoot Sr., ran a dry cleaning business. His mother noticed young Gordon had some musical talent and the boy soprano first performed in grade four at his elementary school. He sang the Irish lullaby “Too Ra Loo Rah Loo Rah” at a parents’ day. As a member of the St. Paul’s United Church choir in Orillia, Lightfoot gained skill and needed confidence in his vocal abilities under the choir director, Ray Williams. Lightfoot went on to perform at Toronto’s Massey Hall at the age of twelve when he won a competition for boys who were still boy sopranos. During his teen years Gordon Lightfoot learned to play piano, drums and guitar.

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River Deep-Mountain High by Ike & Tina Turner

#1202: River Deep-Mountain High by Ike & Tina Turner

Peak Month: June 1966
6 weeks on CFUN chart
Peak Position #12
Peak Position on Billboard Hot 100 ~ #88

Izear Luster “Ike” Turner, Jr. was born in Clarkesdale, Mississippi in 1931. He was an American musician, bandleader, songwriter, arranger, talent scout, and record producer. When he was eight he started learning how to play guitar and piano. In his teens he established an R&B group named the Kings of Rhythm, as cited in John Collis’ book Ike Turner, King of Rhythm. The Kings of Rhythm became his backing band for the rest of his career. In 1951 his first recording was “Rocket 88.” The lead vocals were sung by the Kings of Rhythm’s saxophonist, Jackie Brenston. Ike Turner played piano on the recording. But Phillips Records sold the recording to Chess in Chicago, who released it under the name Jackie Brenston and His Delta Cats. Though the record sold over half a million copies, Turner was paid $20. Relocating to St. Louis, Missouri, in 1954, Ike Turner built the Kings of Rhythm into a successful act on the local club circuit. It was in this setting Ike Turner met Anna Mae Bullock, who was working at a club where he performed. He would later go on to rename her as Tina Turner. Together, they formed the Ike & Tina Turner Revue and became a stars in both the soul music and pop charts.

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I Wanna Be A Flintstone by The Screaming Blue Messiahs

#1201: I Wanna Be A Flintstone by The Screaming Blue Messiahs

Peak Month: February 1988
7 weeks on CKLG chart
Peak Position #19
Peak Position on Billboard Hot 100 ~ did not chart

In 1980 Bill Carter and Chris Thompson were in a London, UK, band called The Small Brothers, with Tony Moon on vocals. They changed their name to the Motor Boys Motor and released a single in the UK called “Drive Friendly.” A line-up change followed with Tony Moon leaving the band and being replaced with Kenny Harris. By 1983 they billed themselves as The Screaming Blue Messiahs. Bill Carter played guitar and was the lead vocalist. Thompson was the backing singer and bass player, while Kenny Harris played drums. The group emerged in the wake of the pub rock and punk scenes that had been very predominant in London’s live music circuit from the late ’70’s into the early ’80’s. Pub rock was deliberately nasty, dirty and post-glam. Dress style of Pub Rockers was based around denim and plaid shirts, tatty jeans and droopy hair. The Screaming Blue Messiahs were a classic power trio. They performed in small venues and recorded three studio albums between 1983 and 1990. They toured extensively throughout Europe, North America and Australia and Asia. They were given stellar reviews by music critics throughout their years on tour and for their recordings. Critics especially liked the Screaming Blue Messiahs  aggressive blend of rhythm and blues, punk and rockabilly. Bill Carter recalled later that the band’s name was arrived at when Ted Caroll, who played with Big Beat, gave the thumbs down to the band’s initial decision to bill themselves as The Blue Messiahs. Caroll felt the name sounded too pub rock.

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Footprints in the Snow by Jerry Fuller

#1200: Footprints in the Snow by Jerry Fuller

Peak Month: April 1964
7 weeks on CFUN chart
Peak Position #18
Peak Position on Billboard Hot 100 ~ did not chart

In 1938 Jerry Fuller was born in Fort Worth, Texas. His father was a carpenter who had a voice like Bing Crosby, while his mom sang like Patti Page. As a musical family, at the age of eleven, Jerry and his brother Bill became were billed as The Fuller Brothers. His mother arranged for them to appear at school, churches, talent contests, minstrel shows and jamborees. Out of high school, Fuller wrote a rockabilly tune called “I Found A New Love” and got it recorded Lin records in 1958.

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I Been Moved by Andy Kim

#1199: I Been Moved by Andy Kim

Peak Month: August 1971
5 weeks on CKLG chart
Peak Position #15
Peak Position on Billboard Hot 100 ~ #97

Billboard Magazine, Cashbox Magazine and other trade papers to see which record companies had hits on the pop charts. Kim recalls in an interview with Entertainment Week, September 21, 1974, “I figured those were the companies I would go to. I went to the A and R department of Paramount Records. I told the receptionist I had a meeting that afternoon but I just came by that morning to see the A and R man. She asked if I had a demo and I said yes. She sent me down a corridor to this man and I said ‘I’m sorry, but I don’t know what a demo is.’ He asked if I wrote songs or played an instrument. (I said) no. He said what the business involved and I should not trick my way into places.”

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Cradle Baby by Eddie Cochran

#1147: Cradle Baby by Eddie Cochran

Peak Month: January 1958
3 weeks on the Teen Canteen chart
Peak Position #7
Peak Position on Billboard Hot 100 ~ did not chart

Eddie Cochran was born in Albert Lea, Minnesota, in 1938. His family moved to the Los Angeles area in 1951 where Eddie attended Bell Gardens Junior High. While there he became friends with Connie ‘Guybo’ Smith. Smith was already a promising musical talent who played bass, steel guitar and mandolin. Eddie and Connie began to jam together and gave a concert at their junior high school. Connie “Guybo” Smith went on to become Cochran’s bass player and was one of the musicians heard on most records during Eddie’s brief professional career. In 1953, while still in junior high school, Eddie met another musician named Chuck Foreman. The two experimented with Foreman’s two-track tape recorder. The pair made recordings of a number of songs including Stardust, The Poor People Of Paris, Hearts of Stone and the Cannonball Rag. Cochran graduated from Bell Gardens Junior High in 1954.

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Bound To Fly by 3's A Crowd

#1162: Bound To Fly by 3’s A Crowd

Peak Month: October 1966
5 weeks on Vancouver’s CKLG chart
Peak Position #9
Peak Position on Billboard Hot 100 ~ did not chart

On the Canadian West Coast there was a lot of experimenting with musical styles. Folk, pop and psychedelic rock were merging into a West Coast sound. In 1964, local comedian Brent Titcomb also had vocal skills he was putting to use in small coffee houses. Another comedian with musical talents, Donna Warner, was also interested in starting a music group. That August they began to write songs and became a trio when a coffee house audience member and guitarist, Trevor Veitch, became their third member. As part of the hipster scene at the time, the group took on an avant-garde name that was not indicative of who they were. Billed as the Bill Schwartz Quartet, their ironic name caused audience members to wonder what happened to the fourth person in the group, assuming their must be a fourth bandmate since they were billed as a quartet. More puzzling, there was no one named Bill Schwartz in the group. The oddity of their name grew tired fast and they next went by the name to 3’s A Crowd  as early as the spring of 1965.  In June ’65 the group was on the cover of the TV Times magazine in Vancouver.

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