#1009: Dedicated Follower Of Fashion by The Kinks
Peak Month: May 1966
6 weeks on Vancouver’s CKLG chart
Peak Position #7
Peak Position on Billboard Hot 100 ~ #36
YouTube.com: “Dedicated Follower Of Fashion”
Lyrics: “Dedicated Follower Of Fashion”
The Kinks were an English rock band formed in 1963 in Muswell Hill, North London, by brothers Ray and Dave Davies and Pete Quaife. Known as a British Invasion band in North America, the Kinks were one of the most significant and influential bands of the era. The Kinks first came to prominence in 1964 with their third single, “You Really Got Me” written by Ray Davies. It became an international hit peaking at #1 in the UK, #7 on the Billboard Hot 100 and #5 in Vancouver on CKLG. Extremely influential on the American garage rock scene, You Really Got Me has been described as “a blueprint song in the hard rock and heavy metal arsenal. In 1965 the Kinks toured internationally headlining with other groups including Manfred Mann, The Honeycombs and The Yardbirds.
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#1016: We’re On Our Way by Chris Hodge
Peak Month: July 1972
6 weeks on Vancouver’s CKVN chart
Peak Position #3
Peak Position on Billboard Hot 100 ~ #44
YouTube.com: “We’re On Our Way”
Lyrics: “We’re On Our Way”
Ringo Starr was responsible for signing Chris Hodge with Apple Records. Hodge was 22-years-old when signed. Hodge had been living in Rome as a fashion photographer, but had come back to London and signed a music publishing deal with Robert Mellin Publishing. At the time he’d been given money to record some demos. Hodge called Apple’s A&R man Tony King and described his composition about UFO’s and later met with King and played him a demo. Tony played the demo tape for Ringo later and Ringo wanted to meet Chris Hodge. Ringo suggested some lyrical changes, but let Hodge record “We’re On Our Way” and “Supersoul” as he wished.
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#1020: I’m Tired by Savoy Brown
Peak Month: February 1970
8 weeks on Vancouver’s CKLG chart
Peak Position #6
Peak Position on Billboard Hot 100 ~ #74
YouTube.com: “I’m Tired”
Lyrics: “I’m Tired”
Savoy Brown, originally known as the Savoy Brown Blues Band, formed in 1965, in Battersea, South West London. The band was formed by Kim Simmonds who was a multi-instumentalist playing guitar, keyboards, harmonica and offering vocals. Simmonds collaborated with harmonica player John O’Leary to form the band. The pair had struck up a conversation at Transat Imports record shop in Lisle Street, Soho, in 1965. Savoy Brown went though constant lineup changes. This would continue with some periods of stability over the next five decades. Keyboard player Bob Hall joined shortly after the band’s formation to provide some stability, and the band’s debut album, Shake Down, showcased a collection of blues covers. In 1967 they released a single from the album, “Shake Em On Down,” which made the Top 40 in Orlando, Florida.
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#1369: Give It To Me by The Troggs
Peak Month: March 1967
6 weeks on Vancouver’s CKLG chart
Peak Position #11
Peak Position on Billboard Hot 100 ~ did not chart
Peak Position on Record World ~ #128
YouTube.com: “Give It To Me”
Lyrics: “Give It To Me”
The Troggs formed in 1964 and decades later were dubbed by music critics as the “first British punk band.” Never strangers to controversy, many of their records were considered by radio programmers and social conservatives as too suggestive for the masses, and they consequently banned them. The band’s first big hit was “Wild Thing” which is rated by Rolling Stone Magazine as one of the Top 500 songs in the rock ‘n roll era. While they racked up their biggest string of Top Ten singles between 1966 and 1968, the band consisted of co-founders Reg Presley and Ronnie Bond, as well as Pete Staples and Chris Britton.
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#1066: Happenings Ten Years Time Ago by The Yardbirds
Peak Month: December 1966
6 weeks on Vancouver’s CKLG chart
Peak Position #6
Peak Position on Billboard Hot 100 ~ #30
Peak Position on Cashbox ~ #34
YouTube.com: “Happenings Ten Years Time Ago”
Lyrics: “Happenings Ten Years Time Ago”
The Yardbirds are an English rock band that had a string of hits in the mid-1960s, including “For Your Love“, “Shapes of Things” and “Heart Full of Soul.” The group is notable for having started the careers of three of rock’s most famous guitarists: Eric Clapton, Jeff Beck, and Jimmy Page. During their brief five years, from 1963 to 1968, they set the pace for a lot of the innovations to come in rock ‘n roll into the 1970’s. The Yardbirds experimental explorations also provided the crucial link between British R&B, Psychedelic Rock, and Heavy Metal, while pioneering the use of innovations like fuzz tone, feedback and distortion. With this fusion, and harmonica riffs, they inspired the musical styles of contemporary American bands like The Count Five who had a #1 hit in Vancouver in 1966 called “Psychotic Reaction“. When Jimmy Page left The Yardbirds to form the New Yardbirds, that band was quickly renamed Led Zeppelin.
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#1067: Come Outside by Mike Sarne
Peak Month: July 1962
8 weeks on Vancouver’s CFUN chart
Peak Position #7
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “Come Outside”
Lyrics: “Come Outside”
Michael Scheuer was born in London, UK, in 1940. He learned to become an actor and adopted a stage name. In 1961 Mike Sarne starred in a minor role in the film Invasion Quartet, a parody of The Guns of Navarone. The parody was about two wounded officers, one British and one French who are deemed unfit and surplus to requirements. They leave their hospital and together with an explosives expert suffering from mental illness, and a Colonel thought too old to serve in the Army, make their way to France to destroy a long range German artillery piece.
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#1070: Life Begins at the Hop by XTC
Peak Month: April 1980
8 weeks on Vancouver’s CFUN chart
Peak Position #12
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “Life Begins At The Hop”
Lyrics: “Life Begins At The Hop”
In Swindon, UK, Colin Moulding and Terry Chambers invited Andy Partridge to be their guitar player and join Moulding on vocals. It was 1972 and the bands initial name was the Helium Kidz. The UK pop music magazine, New Musical Express, wrote an article about them. Swindon, in Wiltshire, England, was known for several other notable musicians including Justin Hayward of the Moody Blues, Gilbert O’Sullivan (“Alone Again Naturally”), late 90s UK pop singles chart topper Billie Piper (“Because We Want To”, “Girlfriend”), and Josh Kumra who provided vocals on the #1 UK single, “Don’t Go” with Wretch 32 in 2011.
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#1076: Town Called Malice by The Jam
Peak Month: July 1982
10 weeks on Vancouver’s CFUN chart
Peak Position #16
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: “Town Called Malice”
Lyrics: “Town Called Malice”
John William “Paul” Weller Jr. was born on 25 May 1958 in Woking, Surrey, England. His love of music began with The Beatles, then The Who and Small Faces. By the time Weller was eleven and moving up to Sheerwater County Secondary school, music was the biggest part of his life, and he had started playing the guitar. Weller’s musical vocation was confirmed after seeing Status Quo in concert in 1972. He formed the first incarnation of The Jam in the same year, playing bass guitar with his best friends Steve Brookes (lead guitar) and Dave Waller (rhythm guitar). Paul Weller’s father, acting as their manager, began booking the band into local working men’s clubs. Joined by Rick Buckler on drums, and with Woking-born Bruce Foxton soon replacing Dave Waller on rhythm guitar, the four-piece band began to forge a local reputation, playing a mixture of Beatles covers and a number of compositions written by Weller and Brookes. Brookes left the band in 1976, and Weller and Foxton decided they would swap guitar roles, with Weller now the guitarist.
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#1087: Abergavenny by Shannon
Peak Month: August 1969
7 weeks on Vancouver’s CKLG chart
Peak Position #9
Peak Position on Billboard Hot 100 ~ #47
YouTube.com: “Abergavenny”
Lyrics: “Abergavenny”
Reginald Leonard Smith was born in Blackheath, London, UK, in 1939. At the age of 15 he left school and became a messenger boy in the city of London for a firm of brokers in Rood Lane, Eastcheap. Reginald formed a group with some of his local friends called Reg Smith and the Hound Dogs. This led to a series of local gigs in the South of England. At the age of 18 he took the pseudonym, Reg Patterson prior to performing at London’s Condor Club in 1957. While on stage he was noticed by impresario Larry Parnes. The recording acts that Parnes was manager for were all given stage names like Billy Fury, Duffy Power and Dickie Pride. He gave Reginal Leonard Smith a new name in 1957: Marty Wilde. The “Marty” came from the Oscar winning Best Picture of 1955, Marty, starring Earnest Borgnine and Betsy Blair. “Wilde,” like Fury and Power, was a surname intended to convey that the singer was edgy and charismatic.
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#1467: I Wanna Be A Flintstone by The Screaming Blue Messiahs
Peak Month: February 1988
7 weeks on CKLG chart
Peak Position #19
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com link: “I Wanna Be A Flintstone”
Lyrics: “I Wanna Be A Flintstone”
In 1980 Bill Carter and Chris Thompson were in a London, UK, band called The Small Brothers, with Tony Moon on vocals. They changed their name to the Motor Boys Motor and released a single in the UK called “Drive Friendly.” A line-up change followed with Tony Moon leaving the band and being replaced with Kenny Harris. By 1983 they billed themselves as The Screaming Blue Messiahs. Bill Carter played guitar and was the lead vocalist. Thompson was the backing singer and bass player, while Kenny Harris played drums. The group emerged in the wake of the pub rock and punk scenes that had been very predominant in London’s live music circuit from the late ’70’s into the early ’80’s. Pub rock was deliberately nasty, dirty and post-glam. Dress style of Pub Rockers was based around denim and plaid shirts, tatty jeans and droopy hair. The Screaming Blue Messiahs were a classic power trio. They performed in small venues and recorded three studio albums between 1983 and 1990. They toured extensively throughout Europe, North America and Australia and Asia. They were given stellar reviews by music critics throughout their years on tour and for their recordings. Critics especially liked the Screaming Blue Messiahs aggressive blend of rhythm and blues, punk and rockabilly. Bill Carter recalled later that the band’s name was arrived at when Ted Caroll, who played with Big Beat, gave the thumbs down to the band’s initial decision to bill themselves as The Blue Messiahs. Caroll felt the name sounded too pub rock.
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